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Nina Simone (CD Books) (French Edition)

From Billie Holiday To Edith Piaf: Live In Marciac Richard Galliano - CD 794881945726

“Revelatory . . . one of the most briskly revealing pieces of jazz biography that I’ve read.” —Richard Brody, The New Yorker   When Billie Holiday first stepped into a recording studio in November 1933, it marked the beginning of what is arguably the most remarkable and influential career in twentieth-century popular music. Her voice weathered countless shifts in popular taste, and today new reincarnations of her continue to arrive, most recently in the form of singers like Amy Winehouse and Adele.   Most of the writing on Holiday has focused on the tragic details of her life—her prostitution at the age of fourteen, her heroin addiction and alcoholism, her series of abusive relationships—or tried to correct the many fabrications of her autobiography. But Billie Holiday strips away the myths and puts her music front and center, staying close to her artistry, her performance style, and the self she created and put on record and onstage.   Drawing on a vast amount of new material that has surfaced in the last decade, critically acclaimed jazz writer and musician John Szwed presents not just a biography, but a meditation on Billie Holiday’s art and its relation to her life. Along the way, he illuminates her influences, her uncanny voice and rhythmic genius, her signature songs—including Strange Fruit and God Bless the Child—and her enduring legacy as the greatest jazz singer of all time.

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Billie Holiday was one of the most inspiringly talented singers of the 20th century, appreciated not just in the world of jazz, but by music lovers across the whole musical spectrum. Stuart Nicholson successfully describes the complexities of Holiday's personality, her art and her times in this well-written and original biography. Acclaimed as 'Notable Book of the Year' by the New York Times it is a gripping insight in to the life and music of Billie Holiday, who was without doubt a phenomenon of American culture.

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Born in Philadelphua in 1915, and dead too early in New York in 1959, Billie Holiday became a legendary jazz singer, even mythical. With her voice even now managing to touch so many people, we follow a reporter on the trail of the artist on behalf of a New York daily. Beyond the public scandals that marred the life of the star (alcohol, drugs, violence...), he seeks to restore the truth, revisiting the memory of Billie. Through this investigation, Muñoz and Sampayo trace, through the undertones of racism, and in the wake of the blues, the slow drift of a singer who expressed the deepest emotions in jazz. By internationally renowned Argentine artists, featuring Muñoz' strikingly raw heavy blacks, this is not just a biography but a spell-binding art book tribute.

Born in Philadelphua in 1915, and dead too early in New York in 1959, Billie Holiday became a legendary jazz singer, even mythical. With her voice even now managing to touch so many people, we follow a reporter on the trail of the artist on behalf of a New York daily. Beyond the public scandals that marred the life of the star (alcohol, drugs, violence...), he seeks to restore the truth, revisiting the memory of Billie. Through this investigation, Muñoz and Sampayo trace, through the undertones of racism, and in the wake of the blues, the slow drift of a singer who expressed the deepest emotions in jazz. By internationally renowned Argentine artists, featuring Muñoz' strikingly raw heavy blacks, this is not just a biography but a spell-binding art book tribute.

Certainly no singer has been more mythologized and more misunderstood than Billie Holiday, who helped to create much of the mystique herself with her autobiography, Lady Sings the Blues. "Now, finally, we have a definitive biography," said Booklist of Donald Clarke's Billie Holiday, "by a deeply compassionate, respectful, and open-minded biographer [whose] portrait embraces every facet of Holiday's paradoxical nature, from her fierceness to her vulnerability, her childlikeness to her innate elegance and amazing strength." Clarke was given unrivaled access to a treasure trove of interviews from the 1970s—interviews with those who knew Lady Day from her childhood in the streets and good-time houses of Baltimore through the early days of success in New York and into the years of fame, right up to her tragic decline and death at the age of forty-four. Clarke uses these interviews to separate fact from fiction and, in the words of the Seattle Times, "finally sets us straight. . .evoking her world in all its anguish, triumph, force and irony." Newsday called this "a thoroughly riveting account of Holiday and her milieu." The New York Times raved that it "may be the most thoroughly valuable of the many books on Holiday," and Helen Oakley Dance in JazzTimes said, "We should probably have to wait a long time for another life of Billie Holiday to supersede Donald Clarke's achievement."

(Creative Concepts Publishing). A great collection of 43 favorites, complete with a bio by renowned critic Leonard Feather and photos of the incomparable Lady Day. Songs include: Ain't Misbehavin' * All of Me * Baby, Won't You Please Come Home * The Birth of the Blues * Do Nothin' Till You Hear from Me * Do You Know What It Means to Miss New Orleans * I Can't Give You Anything but Love * I Got It Bad and That Ain't Good * It Had to Be You * Nobody Knows You When You're Down and Out * St. Louis Blues * Stormy Weather (Keeps Rainin' All the Time) * Tain't Nobody's Biz-ness If I Do * and more.

Soulful jazz singer Billie Holiday is remembered today for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as “Strange Fruit” and “God Bless the Child.” Holiday and her music were also strongly shaped by religion, often in surprising ways. Religion Around Billie Holiday examines the spiritual and religious forces that left their mark on the performer during her short but influential life.Mixing elements of biography with the history of race and American music, Tracy Fessenden explores the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she encountered in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Fessenden looks at the vernacular devotions scholars call lived religion—the Catholicism of the streets, the Jewishness of the stage, the Pentecostalism of the roadhouse or the concert arena—alongside more formal religious articulations in institutions, doctrine, and ritual performance.Insightful and compelling, Fessenden’s study brings unexpected materials and archival voices to bear on the shaping of Billie Holiday’s exquisite craft and indelible persona. Religion Around Billie Holiday illuminates the power and durability of religion in the making of an American musical icon.

Soulful jazz singer Billie Holiday is remembered today for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as “Strange Fruit” and “God Bless the Child.” Holiday and her music were also strongly shaped by religion, often in surprising ways. Religion Around Billie Holiday examines the spiritual and religious forces that left their mark on the performer during her short but influential life.Mixing elements of biography with the history of race and American music, Tracy Fessenden explores the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she encountered in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Fessenden looks at the vernacular devotions scholars call lived religion—the Catholicism of the streets, the Jewishness of the stage, the Pentecostalism of the roadhouse or the concert arena—alongside more formal religious articulations in institutions, doctrine, and ritual performance.Insightful and compelling, Fessenden’s study brings unexpected materials and archival voices to bear on the shaping of Billie Holiday’s exquisite craft and indelible persona. Religion Around Billie Holiday illuminates the power and durability of religion in the making of an American musical icon.

From four-time Pulitzer Prize nominee David Margolick, STRANGE FRUIT explores the story of the memorable civil rights ballad made famous by Billie Holiday in the late 1930s. The song's powerful, evocative lyrics-written by a Jewish communist schoolteacher who, late in life, adopted the children of Julius and Ethel Rosenberg-portray the lynching of a black man in the South. Holiday's performances sparked conflict and controversy wherever she went, and the song has since been covered by Lena Horne, Tori Amos, Sting, and countless others. Margolick's careful reconstruction of the story behind the song, portions of which have appeared in Vanity Fair, includes a discography of "Strange Fruit" recordings as well as newly uncovered photographs that capture Holiday in performance at Greenwich Village's Café Society. A must for jazz aficionados.

A biography of the "First Lady" of modern jazz, based on newly released archival information, stresses her contributions to jazz singing instead of dwelling on her personal difficulties

Based on rare and previously unavailable interviews, a new look at the life and career of the legendary jazz singer Billie Holiday captures the essence of a complex, charismatic, and tortured figure, full of strength and humor.

Presents a prose poem recounting the life of the American jazz singer affectionately known as Lady Day.

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A new take on "Lady Day" unravels the myths surrounding Billie Holiday and presents her as a dedicated artist who struggled with her own addictions and suffering to succeed as a singer. 20,000 first printing.

Examines the lives and art of Black women blues singers and argues that they expressed a Black, working class, feminist perspective

Following our Ella Fitzgerald Collection last month, we have pulled together a similar anthology for one of the other definitive jazz vocalists of the 20th century, Billie Holiday. Along with Ella and other contemporaries like Sarah Vaughan, Billie Holiday was one of the great singers to emerge from the golden age of jazz singing as a premier exponent of an art form which often crossed over into the popular music world, although this crossover very rarely compromised the artistic integrity we as